This paper scrutinises how alternative cultural scenes from Central and Eastern European countries have been represented in fanzines published in France since 1977. The study focusses principally on the geographical and temporal rather than the qualitative or cultural aspects of the question. Four countries clearly stand out, representing 57 % of the analysed corpus: Poland, Czechoslovakia, Yugoslavia and Hungary.
While we strive to develop existing research on fanzines in Central and Eastern Europe (CEE), this article provides an introduction to the discussion about of fanzines and the specific historical contexts of CEE. This thematic issue aims to open a debate about CEE subcultures and alternative-press practices in the context of the relationship between the local and the global in contemporary history.